So, I’m in the middle of T Kingfisher’s newest frothy fantasy romance, Paladin’s Grace. I paused to read that one while still in the middle of a much more serious military SF novel called Cry Pilot, by a new-to-me author named Joel Dane. I like that one a lot and I’ll definitely write a review of it later, but it’s more tense and I wanted something gentler for right before bed.
I don’t normally read two novels at once, but it’s getting to be a more frequent habit than it used to be. Out of curiosity, how many of you do that routinely?
Anyway, last night I came across a sentence from Paladin’s Grace that is so fantastic I must share it with you. I’ll give you the whole paragraph to set up the sentence.
The carriage had pulled into the formal quarters for visiting dignitaries, which resembled a cross between a small palace and a large hotel. It was in the formal style of Archenhold, all stone and arches and tall pillars. Grace was rather fond of how clean the lines were here compared to the style of Anuket City, which never saw a facade it didn’t want to ornament or a stone that couldn’t be carved into ten animals and an allegorical representation of Prosperity.
Ha ha ha! If that doesn’t give you a feel for the novel’s general tone, what could? And look, T Kingfisher is effortlessly using this really trivial moment of description to build Grace’s character as well as hold to the light tone of the story overall. So impressive!
Cry Pilot has offered some very nice lines as well, in a completely different style. I’ll have to make a note of the next such line and share it with you. I will try to make a regular thing of it, because it’s just amazing how one throwaway sentence here and there can effortlessly show off a writer’s skill.