Here’s a recent post at Fantasy Book Cafe: Old Houses and New Beginnings by Yangsze Choo.
Yangsze Choo wrote The Ghost Bride, which I haven’t read because it sounds like it is probably tragic in a sloooow motion everything slowly goes terribly wrong kind of way, which is a very difficult sort of thing for me to read. The cover is lovely, though:
Here’s what is says about this book on Goodreads:
Li Lan, the daughter of a genteel but bankrupt family, has few prospects. But fate intervenes when she receives an unusual proposal from the wealthy and powerful Lim family. They want her to become a ghost bride for the family’s only son, who recently died under mysterious circumstances. Rarely practiced, a traditional ghost marriage is used to placate a restless spirit. Such a union would guarantee Li Lan a home for the rest of her days, but at a terrible price.
After an ominous visit to the opulent Lim mansion, Li Lan finds herself haunted not only by her ghostly would-be suitor, but also by her desire for the Lim’s handsome new heir, Tian Bai. Night after night, she is drawn into the shadowy parallel world of the Chinese afterlife, with its ghost cities, paper funeral offerings, vengeful spirits and monstrous bureaucracy—including the mysterious Er Lang, a charming but unpredictable guardian spirit. Li Lan must uncover the Lim family’s darkest secrets—and the truth about her own family—before she is trapped in this ghostly world forever.
I don’t know, maybe this doesn’t sound like a slow-motion tragedy after all. Actually, it sounds like a Gothic, where we expect all the haunting parts to lead to a satisfying outcome for the protagonist. Has anyone read this? I think I actually have it on my TBR pile, but should I shuffle it more toward the top?
Anyway, old houses. In this post, Choo says:
I’m planning a research trip to Dalian, a city in the part of northern China previously known as Manchuria. “What will you do there?” asked a friend. I had to reply that I wasn’t quite sure, but my main purpose was to wander around and look at old buildings from the early 1900s. … Old houses hint at stories and secrets; their rooms capture the fleeting impressions of feet that have worn down wooden stairs and hands that have polished banisters. When I wrote my first book, The Ghost Bride, I was inspired by a Chinese house in Penang, Malaysia, that had fallen into disrepair. Built by a wealthy Chinese merchant to house his extended family and consisting of courtyards and rooms upon rooms, it was like a tightly constrained world. I could almost feel the weight of family obligation—very helpful when writing the tale of a young woman who is asked to marry a dead man! The decay of the house also suggested the parts of the book which take place in the Chinese world of the dead.
I have to say, Choo is doing a wonderful job at capturing atmosphere in this post. The whole thing is worth reading. Plus, this:
My second novel, The Night Tiger, is about an eleven-year-old Chinese houseboy who suspects that his master is actually a man-eating tiger.
Wow. My first impulse is to grab the book and my second is to back away from it slowly. My third (which I will follow when the book comes out) is to look it up on Goodreads and read some reviews. These do sound very much like Chinese Gothics, if there is such a category. I can really get into a creepy, haunted, atmospheric Gothic story … if it is not also a grim story where the protagonist slowly descends into inescapable tragedy.